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Boethius

Boethius · Born 477 AD · Late Roman Christian Neoplatonism · Consolation of Philosophy
Born 477 ADfortuneconsolationuniversalsforeknowledgeeternity7 min readView in network
This is my art, the game I play. I turn the spinning wheel; I delight in raising the fallen and lowering the lifted high.
Consolation of Philosophy 2 pr. 2

Anicius Manlius Severinus Boethius

A man sits in a prison cell, fallen in a single stroke from the summit of the Roman state to bare confinement, stripped of his office, his library, his freedom, everything Fortune had ever lent him. He is feeling sorry for himself, scratching out self-pitying verses, when a woman appears in the cell: tall, ageless, her eyes burning, her torn robe climbed by a ladder of letters. She is Philosophy herself, and she has come not to comfort him with soft lies but to argue him back to his senses. What follows, the Consolation of Philosophy, written by Boethius in the worst extremity of his life, is one of the strangest and most beautiful books in the Western canon: a ruined statesman and the figure of Philosophy in person, working through, in alternating prose and verse, how a good man can lose everything and still be whole. And here is the first surprise. Boethius was a Christian, and a serious one. But in the cell, having lost it all, he reaches not for scripture or the promise of heaven but for philosophy, for reason alone, to find his way to peace.

Lady Philosophy appears to the imprisoned Boethius. Stripped of everything Fortune had lent him, he reached not for scripture but for reason itself, and wrote the West's great consolation as a dialogue with Philosophy in person.Coetivy Master (Henri de Vulcop?), Philosophy Presenting the Seven Liberal Arts to Boethius (c. 1460-1470), illumination from Consolation of Philosophy, J. Paul Getty Museum. Public domain via Wikimedia Commons.

The wheel. Philosophy's first move is to make Boethius look honestly at what he has lost, and her instrument is an image that would haunt Europe for a thousand years: the Wheel of Fortune. She lets Fortune speak in her own defense. Why do you complain, the goddess asks, as though I had robbed you? Everything you are mourning, the wealth, the honors, the high position, was never yours; it was mine, and I only lent it. This is simply what I do: I turn the wheel, I delight in raising the low and bringing down the high, and the man who climbs onto my wheel agrees, by climbing, to be carried wherever it turns. To rage at Fortune for the fall is to misunderstand the game you joined. The lesson is bracing and a little cold. The goods Fortune deals, money, status, reputation, the favor of the powerful, cannot be the true goods of a life, precisely because they can be taken back, because they stay hers even while she lends them, and a happiness another can repossess at will was never secure happiness at all. The wheel turns for everyone; the only real mistake is to have staked your peace on staying at the top.

The Wheel of Fortune, the image from Book II that would haunt Europe for a thousand years. What Fortune gives she only lends, and whoever climbs onto her wheel agrees to be carried wherever it turns.Anonymous illuminator, Wheel of Fortune from the Carmina Burana (c. 1220), Codex Buranus, Bavarian State Library, Clm 4660 fol. 1r. Public domain via Wikimedia Commons.

The good that cannot be taken. If Fortune's gifts are not the real goods, then what is? Philosophy walks Boethius through the false goods one by one, wealth, fame, power, pleasure, and shows that each is chased not for itself but as a botched route to something deeper: people pursue money for security, power for self-sufficiency, fame for worth, pleasure for joy, and all of these are broken-off fragments of a single thing, a complete and unshakable good that needs nothing outside itself. That perfect good, she argues, is what everyone is really after beneath all their scattered wanting, and it cannot be any of Fortune's prizes, because those are partial and losable. It can only be the highest good itself, which Boethius, in the Neoplatonic language he had inherited, identifies with God: the one good that is whole, that cannot be lost, and that a person reaches not by acquiring anything but by turning toward it. The consolation is now complete in outline. You were never truly robbed of the good, because the good you most need was never among the things that were taken. It was always within reach, and it was never Fortune's to give or to remove.

The eternal now. One hard knot remains, and untying it is Boethius's most lasting philosophical feat. If God knows in advance everything you will do, then it seems you cannot be free: your choices were fixed before you made them. But if God does not know, then God is not all-knowing. Foreknowledge and freedom appear to cancel each other out. Boethius's solution reframes the whole problem by asking what kind of knowing God's actually is. We picture God foreseeing the future, peering ahead along time the way we do. But God, Boethius argues, is not inside time at all. Eternity is not endless duration, not a very long stretch of time; it is the total and simultaneous possession of all life at once, a single standing now in which past, present, and future are equally present. God does not foresee your tomorrow; God sees it, the way you see what lies in front of you, with the immediacy of present sight, and watching a thing happen does not make it unfree. Your choice remains your own; it is only that, from eternity's vantage, it is eternally present to a gaze that stands outside the river of time and takes in the whole of it at once. The definition of eternity he forged in that cell, the complete and perfect possession of unbounded life, all at once, became the medieval West's settled way of thinking about God and time.

The bridge. It is easy to miss, behind the drama of the cell, that Boethius was the single most important conduit between the ancient world and the medieval one, the bridge nearly the whole Middle Ages would cross to reach antiquity. He was among the last men in the West who could still read Greek, and he set himself a colossal task: to translate all of Plato and Aristotle into Latin and to prove that the two great Greeks fundamentally agreed. He did not finish, but what he completed was decisive. For more than six hundred years, until fresh translations arrived out of the Arabic world, the only Aristotle the Latin West possessed was Boethius's, and the whole of early medieval logic was learned from his textbooks. A single aside in one of his commentaries, on whether universal kinds like "humanity" really exist or are only names, planted the problem of universals that medieval philosophy would argue over for a thousand years. He laid out the mathematical curriculum and even coined its name. When Aquinas needed a definition of eternity, he reached for Boethius's. The man writing to console himself in prison was also, almost without knowing it, packing the toolkit the next thousand years of European thought would open and put to work.

Boethius teaching, as the Middle Ages pictured him: the author of its logic and its mathematics. For six hundred years the only Aristotle the Latin West had was the one Boethius had carried across.Anonymous illuminator, Boethius teaching his students, detail from an illuminated initial, MS Hunter 374 (V.1.11), Italy 1385, Glasgow University Library. Public domain via Wikimedia Commons.

The most-read book in Europe. The room reads the Consolation in an old translation, cited by book and by its alternating prose sections and verse meters; the book is short, and its argument climbs, so it rewards being read straight through and in order. Few works have been loved by so many for so long. For a thousand years it was, after the Bible, the most-read book in Europe, and the list of those who troubled to translate it themselves is a roll-call of the Western mind: King Alfred the Great put it into Old English, Chaucer into Middle English, Queen Elizabeth the First into her own hand in a few days at her writing desk. Dante set Boethius among the bright souls in the Heaven of the Sun. The reason it has lasted is not its erudition but its consolation, which is real and hard-won and open to anyone: that the things the world can take from you were never the foundation of a good life; that what you most need cannot be confiscated; and that a mind can find, even at the very bottom of its fortunes, a vantage from which the turning of the wheel looks small.

Theodoric the Ostrogoth, at whose court Boethius rose to the summit of the Roman state and from whose favor he fell. Boethius was the last of the Romans, writing on the bridge between two worlds.Crowned figure identified as Theodoric the Great, mosaic in the Basilica of Sant'Apollinare Nuovo, Ravenna (early sixth century). Public domain via Wikimedia Commons, cropped.

Boethius stands at the exact hinge of two worlds, the last of the Romans and the first of the schoolmen, and his life and his book say the same thing from opposite directions. The scholar handed the future its tools, the logic and the mathematics and the great unsettled questions, the careful machinery of thought a whole civilization would be built with. The prisoner showed what that machinery is for: not cleverness, but the power to stand inside a catastrophe and still reason your way to clear sight and a kind of peace. We tend to keep those two things in separate rooms, the technical philosophy in the seminar and the consolation we grope for when a life breaks. Boethius never separated them. He held that the rigorous argument and the lived consolation are one and the same activity, that philosophy is worth learning in the good times precisely because it is what you will have to think with in the bad ones, and he proved it in the hardest place imaginable, with the wheel already turned and nearly everything already gone.

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